Tribal belly dance recreates what might have been as far as different tribes and the interaction between them. There is no real evidence as to what really existed but it is understood that tribal belly dance has its roots in folkloric and traditional dance. It has really taken off within the last ten to twenty years. Tribal Belly Dance is a Western style of Belly Dance derived/fused primarily from the dance/troupe style of Jamila Salimpour in the 70's. This style of dance fuses various folklore and contemporary dance movements, from various countries such as the Middle East. In addition it uses a mix of music, often preferring acoustic instruments, authentic tribal songs or tribal sounding songs. However, recently it has been incorporating a lot of the world trance and beat music. This intriguing dance is characterized by an improvisational style, with dancers learning sets of steps and moves rather than choreographing entire dances. The dance is also very stress relieving and women often confess that belly dance class is the highlight of their week and that they feel so good when they leave class, not only physically, but mentally as well.
At first it may seem difficult to learn how to belly dance, but with a good instructor and patience you can pick up the basic moves of this enticing, ancient dance. Belly dancing is a fun way to stay in shape for all ages and body types. Belly dancing music was very prominent and ubiquitous in the U.S. throughout the 1950s resulting in dozens of recordings along with quite an assortment of fascinating album covers. The theme was: middle class women, spice up your married lives by belly dancing for your spouse. Belly dance isn't even a completely descriptive term. Middle Eastern dance encompasses so many dance forms, even going into African tribal dances, Latin dances such as Flamingo and more. When taking classes it has been found that students improve pretty fast and are generally able to learn the basics in a few sessions. Wearing athletic clothing or dancewear is very helpful and can be barefoot or may choose to wear dance footwear such as sandals, ballet slippers, or even ballroom shoes or jazz sneakers.
One of the more fascinating styles is the Turkish belly dance. The dance music is characterized by the sounds of the oboe, clarinet, kanoon, finger cymbals and hand drums. Turkish dance costumes are among the more risquй of the cabaret styles, baring plenty of leg and cleavage. Similar to Greek and Armenian it is usually faster than Egyptian dance music, and often there are less rhythmic changes. Turkish belly dancers spread their traditional dance around the wider world, and enchanted their audiences when they appeared on dance stages in countries from America to Argentina; from the Arabian Peninsula to England and from Japan to Italy. Turkish belly dance has been at least 500 years of history. The most important influence on it came from the Roma (Gypsies) people of Turkey. Today this style of dancing often struggles against the morals of a Muslim country but is generally still accepted because of its deep history. As artists they dare to see how far they can take sensuality into sexuality.
Egyptian belly dance offers an authenticity and continuity of culture that one will not find in American style. Each dance has its own unique qualities. Egyptian belly dance is an authentic ethnic dance in movement and spirit. The dance and dancer are the physical manifestation of and visual compliment to the exotic music they accompany. Egyptian belly dance was among the first styles to be witnessed by Westerners. The exact origin of this dance form is actively debated among dance enthusiasts, especially given the limited academic research on the topic. Much of the research in this area has been done by dancers attempting to understand their dance's origins. Wherever it began, the dance has a long history in African and the Middle East. Despite the restrictions in Islam regarding portraying humans in paintings, there are several depictions of dancers throughout the pre-Islamic and Islamic world. Because the most popular venue for the dance remains night clubs, it is this version, rather than the more traditional folk or social versions that remain the most popular.
Whether you wish to learn to do card flourishes, how to vanish cards or make cards appear out of the air, this site will reveal the secrets of card magic in easy lessons with many diagrams and photos to help you learn how to do magic with cards, as well as other props. It can take a lot of time to become a professional magician. Professional card magicians get there by putting in plenty of practice with sleight of hand, card fans and polishing their glide and card forcing moves know how. This is your shortcut to shuffle to the front of the pack with clever magic with cards know how, here for you to learn and do for your enjoyment. Here are just a few of my favorites: There's A Hole In My Pocket: For this one you borrow a coin from an audience member and place a mark on the coin. You tell the audience a story about how you are always losing money because there is a hole in your pocket. Then you take the coin and place it your pocket, then realize that it isn't the pocket with the hole it.
When learning piano one of the most difficult skills to master is making your hands work independently. Still this is a fundamental part of the pianists technique so we have to learn to master independence of hands at an early stage. Some brains just seem to be wired up for learning to work their hands independently from the start. There are many youngsters who find it very easy and many intelligent adults who struggle and despair that they will never master the skill. There is no need for anyone to despair with piano lessons 'though. Just follow the advice below and you will find it easier to learn to play piano well. Sometimes you may feel you are getting nowhere but, although improvement may be slow it will still be there if you persevere. Consider these three steps to success. First of all be sure that the music you are studying is easy enough for you. Don't try to gallop ahead. You'll only get frustrated with the challenge. Adults often try to tackle piano music which is technically way beyond them whereas long term success comes quicker by mastering very simple steps along the way.
Simply having a website is not good enough anymore. Your website can be the most cost effective way to communicate to existing and perspective customers. Your website can serve as a powerful round-the-clock marketing tool for your studio. I know there are many owners who still view a website as a necessary evil, but if you look at the typical "buyer profile of young children's activities" - these parents, mostly moms, spend a large amount of time "buying" on the web and want information NOW. It is important to have these types of strategies in place: Drive perspective & existing customers to your website Guide perspective customers through the "buying process" in "baby" steps Have a simple "call to action" like "schedule your a free trial", "schedule a free tour" Allow existing customers to get to information quickly, they know what they want, let them find it easily Tip #1 - Drive Traffic to Your Website Your website address should be on everything: Brochures, flyers & posters Refrigerator magnets & window decals Yellow Page ad, letters, email signatures Voice mail greeting (be sure to visit our website for the latest information) Google Search Engine - www.
How do you enjoy the Theater? How well do you appreciate the Opera? If you are going to the Opera or Theater House without a pair of Opera Glasses (often referred to as Theater Binoculars), you are not enjoying it as much as you should. You may ask, "What could I possibly be missing?" Well I was able to answer that question for myself a few years back. I was attending a play put on by a local company with a close friend named Julie. Julie had been given a pair of Opera Glasses the week previous as a gift, and we had agreed to break them in together. Neither of us had ever used Opera Glasses or Theater Binoculars before nor did we think it would be of much impact on our lives. We took our seats about twenty rows or so back in the theater the play soon started. About fifteen minutes into the play I noticed that Julie would never take her Opera Glasses away from her face for more than a few seconds at a time. My curiosity began to grow, as the play went on, Julie remained glued to those Theater Binoculars.
IT'S EASY TO ASSUME that successful veteran actors such as Lauren Bacall, Isabella Rosellini and John Woods might not need additional help developing and evolving their craft or pushing their careers to a higher level. But that's precisely why they and many others seek the help of Steven Memel, a Los Angeles-based vocal and acting coach who, for nearly 20 years has counseled professional and aspiring performers with a philosophy of reinforcing the purity of art as an expression of the self, one that must come from deep within. "There is only one art, " he says. "And that is life. There are just different channels through which we express ourselves." Rooted in this philosophy are his techniques for awakening, or reawakening, that artist within. With acting, singing or speaking, Memel explains, we are playing the body as an instrument. "You have to have an activating energy and a vibrating mechanism, " he says in a rich and mellifluous voice. "With a cello it's a bow and a string.
I was reading an article on job interviewing skills. The author said a lot about first impressions, and that in just 4 seconds, a job applicant is sized up with regard to: appearance, intelligence, poise, ability to exude confidence and willingness to contribute to a team effort. So I started wondering about how those qualities might "fit" into an audition scenario. In a job interview, the applicant may be given ample opportunity to demonstrate his talent and his potential asset to the company for which he/she is interviewing. The interview itself may be quite lengthy, cordial, friendly, even if the interviewer is not necessarily impressed and ends up tossing the resume into the trash once the applicant has left the office. All very civilized! An audition, while containing some of the elements of a job interview, is very different! You get out onto the stage, you begin to sing, and in seconds, not minutes, the loud, bombastic sounds of THANK YOU! (pause) "NEXT?" come barreling up to the stage, stinging your ears and your pride as you slither away off the stage and out the door.